↑TIMEGAMES:CONTEMPORARY..." />

凉风习习的意思

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↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实, 已失连~sorry,对不起各位了...



九族文化村位于南投鱼池乡日月潭畔

为国内唯一集原住民文化大成的主题游乐园区

向以鲜明的

第 1名 天蝎座 1,037 票 19% 第 7名 金牛座 353 票 6%
第 2名 水瓶座 757 票 14% 第 8名 双鱼座 264 票 5%
第 3名 魔羯座 594 票 11% 第 9名 天秤座 259 票 4%
第 4名 处女座 4 下载附件   保存到相册

2009-3-25 00:03 上传



跟外面的样品比一比

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  饭盒2:蚝油青菜+西芹木耳虾仁

  西芹木耳虾仁, 牡羊座  破坏灵[怨灵]
莫名死去的愤怒,及生前的火爆性格将会使他们变成极具危险的怨灵

金牛座  地缚灵
对于想知道他们怎麽死的,或是想完成生前最后一件式的执著,会让他们变成地缚灵

双子座&   合防盗、保全设备。 澳洲升大学,大学生了没?隻身在外的留澳学生,了解校园可用资源越多,越能掌握留学澳洲节奏,遇到困难也能轻松解决!
更多澳洲教育知识: index.html


1.jpg (7.12 KB, 下载次数: 4 〈原文〉你不在  王力宏

当世界只剩下 这床头灯 
你那边是早晨 已经出门
我侧身感到你 在转身 
无数陌生人 正在等下一个绿灯
一再错身彼此脆弱的时分
不过渴望 一个吻的馀温
我关了灯 黑暗把我併吞
< 请问一下现在还有没有像PPS、PPTV、PPLIVE....等免费的网络电视? br />


↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样, 洗完黑衣服后
                    一个很好玩的电影投票活动想要和各位电影咖分享一下!!



Momo购物网和世界电影连手打造的史上最强电影大票选活动开始囉!! 11/20~12/10投票天天抽威秀电影票、週週抽5000,还有超过10万以上的好礼可以拿。11/20~11/26 PART 1 选出2015最期待电影, 11/2 告白的节日测试你真实个性
节日对大家来说,>A.新年时写贺年卡

B.西洋情人节送巧克力

C.端午节送香包

D.七夕时写一首情诗

E.对方生日时送生日礼物























A.你的内心虽然颇为新潮, 【五食材 降胆固醇防心血管病】

【 高油脂饮食习惯 罹患乳癌机率高 】

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2009-3-25 00:02 上传



看了店裡的名片才知道原来定食8有很多间分店啊
真是抱歉啊
在下实在是没听过哩>///<

为什麽会选这间哩~~~~
因为他的样品实在每样看起来都好好吃哦

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不过哩~~~
光是样品好看是没有用的
东西好吃才最重要

店裡的摆设感觉不赖说
如果外面不是停车场就好了...

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2009-3-25 00:03 上传



噹噹噹~~~~首先登场的是鳗。

  爱心便当之蔬菜培根蛋饼

  饭盒1:蔬菜培根蛋饼+薑糖蘑菇三文鱼+米饭

  

  饭盒2:麻辣小鱼乾+清炒西兰花+南瓜无花果小点

  

  饭盒3:草莓。 />

1206279112.jpg (59.64 KB,。如果你有一位心仪已久的对象,那位若即若离的淑女可会让「受够」你的男友心动哦,而此时的你在他眼中则变成了一位还没有长大的笨学生。 享受一顿丰盛冬季大餐[33P]

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  
爱心便当之熏鳟鱼毛豆拌饭

  饭盒1:熏鳟鱼毛豆拌饭+辣酱红薯+辣酱豆腐

  熏鳟鱼毛豆拌饭:熏鳟鱼扯碎,跟热米饭和煮熟的毛豆仁拌在一起。xhibition presents: The works of 23 Taiwanese contemporary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 日落时的火箭烟痕


你在两道眉前,踌躇叶落,
脚踝呼出几面沟壑,
而眉梢已放纵风筝的流动,
他的高度不是终点。


(二)

我在阳光下撒播希望<

整个系统有以下七大特点:

    * 随插即用
      数位录影系统的数位化与影像压缩能力,行任何更动,

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